If you used a Shutterstock image, simply hit the Download button to license the image. If you used your own photo, just hit the Download button. Step Five: License and download the image Step Four: Adjust the size and opacity of the overlay Step Three: Drag any overlay into your canvas, or use the Upload button Step Two: Search for and import a photo, upload your own, or try using a template Step One: Open Shutterstock Editor and set your canvas size Open or find a photo, then drag the overlays into your browser.
Png overlays free#
To use these free light overlays in Shutterstock Editor, click on the Editor tab in the navigation bar above or visit /editor. If you used the Shutterstock Plugin, simply sign into your Shutterstock account, and license the image to replace the watermarked preview. Step Five: Add more overlays to your liking, and save your imageĬontinue to add overlays until you get the look you want. The Shutterstock tutorial video above features the use of the Screen and Add blend modes. Step Four: Change the overlay’s blend modeįor the best look, adjust the overlay’s blend mode. Move the overlay into the desired position on the canvas. Hold down the Shift key while adjusting the size of the overlay to maintain a uniform scale size. Step Three: Scale the overlay to the size of the canvasĪdjust the size of the overlay with the transform tool. Browse for the overlay you want to use, then drag it into your Photoshop project. Open the folder containing the 120 free light overlays. Step Two: Drag any of the overlays into the canvas Simply open any photo in Adobe Photoshop, or add a photo to your canvas with the Shutterstock Plugin for the Adobe Creative Cloud. Step One: Open an image in Adobe Photoshop (If you want to use the Shutterstock Plugin for the Adobe Creative Cloud mentioned in the video, you can download the plugin here.) Andreas noticed this behavior too.To use these free light overlays in Adobe Photoshop, simply open an image and drag and drop the overlays. Not that I expected anything different since I am creating the same file with the same pixel dimensions. I’ve sent Apple feedback through the app because overlays I’ve created on my own in programs such as Pixelmator Pro, Photoshop and using Andreas Kiel’s X-Overlay free app yield the same result. I enable/disable the clip (with V on the keyboard) as needed. I prefer not to use an attached clip because then I don’t have to worry about FCP wanting to potentially render it. However if you take the same custom overlay file and bring it into FCP X as an attached still image clip, it sits as an overlay perfectly and scales with the viewer window resizing just fine. FCP X doesn’t maintain the overlay well when changing the viewer window size This shows up as a thin line of pixels on tp and/or bottom. A custom overlay seems to let some pixels over the underlying video peek through. But, when they are on-screen, they can help a lot with figuring out the best way to frame a scene for multiple aspect ratios, or other compositional tasks. Overlays do not export, nor do they show up on the video scopes. They could even fill the entire screen, but, then, how would you see the video below it? Overlays can contain lines, text and other graphical elements. Here is the overlay we created in Photoshop, set to 50% opacity. (This menu is also used to determine the opacity of the overlays.) To enable, or disable, the display of overlays, check or uncheck Show Custom Overlay. Here’s one I use for anamorphic framing, set to 75% opacity. Whichever is checked is the active overlay. Here, for instance, I added two different overlay files to FCP X. The overlay is added to Final Cut’s menu and the overlay file itself is moved to: > Library > Application Support > ProApps > Custom Overlays. Navigate to the PNG file you just created in Photoshop and select it. (In this screen shot, I removed some of the View menu.) To add an overlay, go to the View menu in the top right corner of the Viewer and Choose Custom Overlay > Add Custom Overlay. Save the file to a location you can easily find later. You can create any overlay content you want – keep in mind this will be superimposed over your video, so try to keep the overlay elements minimal so you can see the video below it. Notice that I’m including text to label the frame sizes as well as color to help differentiate between the 4×3 and 9×16 frames. NOTE: The transparent background is important, as that is what allows the overlay to be superimposed over your video. (Other formats may work, but my preference is PNG.) This is a PNG file with a transparent background that I created in Photoshop. These are non-exporting elements that can help with framing, or re-framing, in Final Cut.Ĭustom Overlays are images that we create and, as such, there are none available in Final Cut until we create them. A new feature that appeared with FCP X 10.4.9 is custom overlays.
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